Deadlock - Bizarro World (2011)

Bizarro World is Deadlock's fifth studio album. Clean and heavy sound, mix in some catchy riffs and a beautiful female lead vocals - I think I'm hooked.

1. Virus Jones [4:59]
2. State Of Decay [3:43]
3. Falling Skywards [4:21]
4. Earthlings [3:41]
5. You Left Me Dead [4:11]
6. Brutal Romance [4:08]
7. Alienation [1:42]
8. Renegade [3:25]
9. Htrae [4:48]
10. Bizarro World [2:11]
11. Paranoia Extravaganza [3:08]

Something I need to clarify right off the beginning about Bizarro World - there are two vocalists. Johannes Prem exclusively does the death growls/harsh vocals, while Sabine Scherer covers the clean vocals. If you're a shallow-minded individual who only likes male lead vocals, then prepare to be disappointed. The rest of us can be left to enjoy this musical treat-to-the-ears.

Virus Jones gives a very good indication for how half of the album sounds; harsh vocals incorporated throughout the track, clean vocals for the chorus and melody, and a very heavy sound overall. Other tracks that follow this scheme are Falling Skyward, You Left Me Dead, and Brutal Romance. Meanwhile, State of Decay represents the other half of the album; 'casual' metal, with a slow tempo, soaring clean vocals, and a near (or complete) absence of death growls. The other tracks similar in style to this are Htrae (ie. 'Earth' spelled backwords), and Paranoia Extravaganza (which isn't actually metal at all; it's Sabine singing with a piano backup). Renegade is an interesting track to say the least, in that it combines both styles mentioned above, with synthesizers mixed in to boot.

There's actually a third 'theme' at play within the album as well, which is a sort of "minimalist-style", as heard on the tracks Alienation and Bizarro World. Essentially, there's no vocals, no drums and only the slightly semblance of a melody at play with the guitar/piano/violins that are heard. They add absolutely nothing to the album, except to act as a bridge between songs.

Well, the album as a whole is actually quite good, despite my bickering above. Virus Jones and Falling Skyward are both album favorites of mine, as is You Left Me Dead. If you're still interested after listening to these tracks, I'd add State of Decay, Brutal Romance and Htrae to that list, but would in all honestly stop there. Paranoia Extravaganza shows off Sabine's vocal capabilities, but the track doesn't fit in at all with the rest of the album (which is presumably why they placed it at the end of the album).

Overall Score:
80/100

Scale The Summit - The Collective (2011)

This is Scale the Summit's 3rd studio album, The Collective. In a contrast to the constantly upbeat mood of their previous album, Carving Desert Canyons, The Collective has a darker and more serious feel to it.

1. Colossal [3:48]
2. Whales [6:28]
3. Emersion [2:33]
4. The Levitated [3:02]
5. Secret Earth [3:38]
6. Gallows [4:33]
7. Origin of Species [2:45]
8. Alpenlow [3:58]
9. Black Hills [7:59]
10. Balkan [3:44]
11. Drifting Figures [3:10]

It's hard to describe, but suffice to say everything about this album is less 'in your face' and more laid back than Carving Desert Canyons. It doesn't make it better or worse, just different. Colossal immediately sets the tone of The Collective as a whole, with its somber guitar melody mixed into Scale The Summit's already characteristic drumming and definitive guitar playing style. Whales is much more experimental in terms of Scale The Summit's style, with a blend of both soaring guitar arpeggios with very technical drumming, and slow ambient guitar combined with easy-going drums. The main chorus is a little grating, with the over-repetitive use of one chord, over and over.

Gallows and Alpenglow are other great examples of how Scale the Summit has changed and matured since their last album, while Emersion and Black Hills are both instances of how a band can both create a new feel, while not losing what already sets them apart from other bands.

My main complaint with The Collective is the same one I had with Carving Desert Canyons; there's not enough variety to distinguish tracks from one another. The Collective is certainly a step in the right direction, as Carving Desert Canyons felt like one long song, but if you take a 10 second snippet from any track, 4 times out of 5 you'll probably not be able to confidently say which track it belongs to. Honestly though, and I said this for Carving Desert Canyons too, the music is so well structured and sounds so nice, that I just need to shut up and enjoy it.

Final Score:
85/100

Serenity - Death & Legacy (2011)

Serenity's 3rd studio. Fucking incredible too; one of the best symphonic metal albums I've heard in a while, and that's not something I can say lightly. Death & Legacy is not without it's faults though, but it's still amazing.

1. Set Sail To [0:29]
2. New Horizons [6:50]
3. The Chevalier [5:32]
4. Far From Home [4:48]
5. Heavenly Mission [5:24]
6. Prayer [1:22]
7. State Of Siege [6:48]
8. Changing Fate [5:42]
9. When Canvas Starts To Burn [4:48]
10. Serenade Of Flames [4:55]
11. Youngest Of Widows [4:08]
12. Below Eastern Skies [1:35]
13. Beyond Desert Sands [4:55]
14. To India's Shores [4:34]
15. Lament [0:40]
16. My Legacy [4:45]

From the moment I started listening to this album, it blew me away. The riffs, the lyrics, the energy in every track, this album has it all. I always find people who enjoy more 'hardcore' metal easily dismiss symphonic metal, but I for one can't get enough of it. Serenity does an amazing job with this, I honestly can't get enough of this album.

Right off the bat, New Horizons, The Chevalier, and Far From Home gave me a high opinion of the album as a whole, and I still had 12 tracks to go! Thinking back, the only tracks I didn't really dig were the interludes    Prayer and Lament, but conversely I found at the same time they enriched the experience of the album (and although I couldn't find anywhere whether this was technically a concept album or not, make no mistake, it is). Below Eastern Skies is the most out of place track on the album, with is largely based on stereotypical Middle Eastern music, but is a very interesting to listen to (though a little short). Changing Fate is probably the track I liked the 'least' on this album, but in comparison, if it were on an average symphonic metal album I would probably rank it as one of my favorites on it. Death & Legacy is that great of an symphonic metal album that I can't find any particular track I would do without.

Death & Legacy isn't perfect though. I find singer Georg Neuhauser's voice to be only a bit better than your typical symph metal vocalist, but overall he does a fair job. Let me just say that the guitar, drums and female vocals are all perfect in most cases, while the lead vocals are a little lacking in some respects. In addition, I found there wasn't enough difference between certain songs for me to be able to instantly recognize them, like When Canvas Starts To Burn, Beyond Desert Sands, and My Legacy - there's not enough diversity between them to be able to hear a 5 second snippet and be able to determine which is which confidently. I'm being nit-picky though; I know I am. There's so much awesome in this album that it far outweighs anything that could be considered a fault.

Overall Score:
92/100

Power Quest - Blood Alliance (2011)

Blood Alliance is English power metal band Power Quest's 5th studio album. It's certainly a good album, but is it great? We'll see...

1. Battle Stations [1:46]
2. Rising Anew [4:35]
3. Glorious [4:58]
4. Sacrifice [6:13]
5. Survive [6:02]
6. Better Days [5:24]
7. Crunching The Numbers [7:26]
8. Only In My Dreams [6:09]
9. Blood Alliance [9:04]
10. City Of Lies [6:38]
11. Time To Burn (Bonus Track) [5:42]

Looking back now, I'm surprised I enjoy this album as much as I do. It's better than your average, generic power metal album, but that's little reason to actually listen to it. The first time I listened through it, I thought very little of it, but the more I listen through the album, the more I find myself liking it.  I find vocalist Chitral Somapala's voice is hit and miss, depending on how long he's holding a high note, but overall he does a good job.

I feel there's not a lot of depth to this album, but that being said there's a fair amount of diversity, which is always a plus in my books. As with any good power metal song, there's got to be a catchy riff, and Blood Alliance delivers on that front with almost every song. Rising Anew has a particularly nice riff, but I feel the main chorus ruins it a bit, though songs like Sacrifice and Glorious keep their awesomeness throughout. Not all songs are great though - City of Lies is nothing special, and the vocals in Crunching The Numbers and Only In My Dreams have more bad moments than good.

I'm just not feeling this album all that much, though it's grown on me a bit after half a dozen playthoughs. There's just not much to make it stand out from a typical power album, but I quite like Glorious, Sacrifice, and the album namesake, Blood Alliance. Props to the band for having an album that isn't just generic song after generic song, but there's not enough to differentiate it from most other power metal albums out there.

Overall Score:
77/100